Technically Jon, digital picture files are considered "Print Ready" at 300PPI (Pixels/in). Printers use DPI as it represents Dots/in, as in most inkjets use a droplet (Dot) form of some type. Laserjets are another story as they use a coronal process on a roller and typically considered to be about 600ppi even in color.
Like Frank says you can get a decent-ish print at 200ppi but the eye will notice the aberrations. 300ppi is at the edge of what most people can discern in clarity and has been the standard for a long time. Up-scaling anymore than 10-15% will blow it to smithereens and a waste of ink, imho.
I did a 4/0, 4' x 8' vinyl poster a while back for a client that was "Print Ready" but it was required to be 1200PPI in order to scale it to that size in good resolution to the eye. It had a couple of pictures and a Vector Logo I did for him prior but the pictures had to be scanned a 1200ppi, cleaned up, adjusted, then inserted in order to be good visually at distance. Another thing that helps the printing processes is to Flatten the artwork and usually required for print houses. In this case I had a lot of drop shadows to highlight the logo, and some text as well as some other layer overlay effects...without flattening most printers misinterpret those opacities and colors giving a very bad effect, printed. To give a clue the restoration I did of my GGGPa tintype (~1.75x2.25) I scanned it as a 1600ppi TIFF file, just to get it big enough to print a 300ppi 4x6.
Imho, the only way to get these to a decent quality wall picture would be to save and print them as 300PPI and send the print to a Scan House (lots out there) and let them scan it at say 2400-3600ppi. These scan houses can do the whole process, much like Chip and Joan did on their HGTV series with the split rolling frame Before shots, but on a TV budget they could afford ~$1000per. I'm sure they were shot with a quality DLSR Or DLST and sent out for production. My hit is those were probably 150dpi prints on canvas or vinyl. Also keeping in mind when you scan to these resolutions, all the aberrations are enhanced as well as Interpolated above the original.
I had the good fortune to get to work with a local printing wizard who taught me a lot in the beginning. He help a lot, particularly in developing some of the larger giclee's I've done. Those were done in AI (Adobe Illustrator) but had certain picture elements in some that had to be gotten to at least 300ppi to print...my largest was a 30" x 48" on canvas and I gave him the file at 1200ppi to run through their commercial grade High End large format HP plotter.
Also keep in mind that Jpgs are RGB and most inkjets run a CMYK cartridge setup and the printer takes up the difference which is considerable. Not so much on Sepia or B/W (which I use TIFF format) but it does make a big difference on rendered color perception.
Hope that helps and didn't go completely off the TMI rails.
PJ
And for the next DIY X/Y plotter project...just keep in mind the DPI/PPI still needs to be correct.

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